My quilt was fortunate enough to receive one of the ribbons - 3rd in machine quilting excellence. It's pretty hard to do better when this was the quilt that received 2nd! There were some nice quilts at this show. The show had particularly bad lighting though. I like the many different farmers-wifeish blocks and their setting on this quilt.
This is a nice landscape.
Elements of this quilt are nice. I think it received one of the color compatibility ribbons for its soothing look.
The machine quilting of the 9-patches is particularly interesting. My guess is it is computerized, but it's cohesive with the theme of the quilt. I'll add it to my bag of interesting tricks to try sometime.
And the center block is something I'd like to applique.
Speaking of applique...the class was about 5-8 too large so the overall pace of it was not really to my liking. Lousy liting in the room too. But nobody can deny that Harriet is a pioneer in our industry. She's taken tomatoes and eggs in the face so that we might now succeed in our craft. She noted that in 1983 she was in Houston at Market and brought a machine quilted quilt for the 1st time. The thought of this gentile quilting society and their reaction of her when the machine quilting storm started is just unimaginable. I guess it is the same thought as this. What if someone sent a quilt to a show today that was only constructed with glue. Fast forward 30 years and they are all made with glue. She's honed techniques for machine makers to make our lives easier, and faster. She's also a steadfast believer in the fact that anything polyester will ruin the world so never mention that you longarm with poly thread. You go to her black list almost immediately. Kind of an inside joke here, but only kind of since I couldn't find her beloved cotton thread in a store Friday and showed up with something not cotton (gasp!!). Even if the class more of less reiterated things I have read elsewhere, I think it is always educational to have someone with as much weathering in this business talk to you for 6 hours. You cannot help but learn something. Even if it is largely just respect and gratitude. Expect to see more applique work from me. I have honed in on my skills and can do it better and faster now.
Back to the show... I always like interesting geometries, even if this style of quilt seems overmade of recent years. The black and white color scheme was appealing and different. The Delft blue color scheme was lovely, as were all the pieced stars which I know first-hand are a PIA to piece. This person won a couple ribbons for her nice quilts.
There is an appealing simplicity here. Guess the judges saw it too.
The quilting has areas which I like - She's obviously tried the dual-curve cross-hatching ruler from Ronda Beyer (which I have and am awaiting the perfect spot to use!).
Lori-Lyn King had 3 small quilts in the show. I have seen this somewhere this year. It's trapuntoed to brilliance. The colorations are from placing a pieced (or moreoften a single) and immensely bold color underneath the top trapunto layer. And then apply kick-ass quilting.
Some color gradations are subtle, but look closely. I learned in my trupunto class at MQX to respect those that do this technique. It is hard, especially when there is another color to show through.
Another ribbon winner, and a very large hand quilted Jacobian applique piece...
It's pretty, but the center almost seems like it needs more of something. The quilting was in colored thread. Lots (LOTS) of radiating lines.
And the grandma of them all...again! Linda Roy. Master hand quilter. How on earth does she find time to make all of these very detailed and hand quilted pieces?? Does she have a secret machine that makes if look hand quilted?? Nice thought. Seeing this has made me add a quilt to my "Must make before I die" list. The solid color is amazingly dramatic. I'd avoid white like the plague, but I love the concept of allowing the white trapunto and applique to show the details.